The DP Elite 8, as the name implies, is the ultimate combination of 8 microphones needed to mike up a 5-piece drum kit. All mics perform equally well whether it be on a live stage or in the studio. Included in the DP Elite 8 drum mic package is the D6, Audix's flagship kick drum mic, two- D2's for rack toms, one D4 for floor tom, the i5 for snare, a pair of SCX1C's for overhead miking, and the SCX1-HC for high-hat. Also included are four D-Vice rim mount clips for the snare and tom mics, and three heavy duty tension fit mic clips for the SCX1 microphones. Everything is conveniently packaged in a foam-lined aluminum carrying case road case for safe keeping when the mics are not in use. THE MICS:1-D6 for kick drum 1-i5 for snare 2-D2 for toms 1-D4 for floor tom 2-SCX1C for overheads> 1-SCX1HC for high-hatD6 - Kick Drum The D6 has a frequency response of 30Hz-15kHz and is characterized with a cardioid pick-up pattern. The D6 is designed to sound good in any position and it is not dependent on finding the "sweet spot" of the drum. The D6 capsule features the same legendary VLM technology that has made the D series percussion and instrument microphones very popular for today's live stages and recording studios.i5 - Snare The i5 has the ability to capture the rich, deep resonance of the snare along with the attack necessary to cut through the mix. The i5's cardioid polar pattern allows it to focus on the specific instrument that is being miked while rejecting other instruments or ambient noise on stage. With a smooth and uniform frequency response of 50 Hz-16 kHz and an ability to handle sound pressure levels in excess of 140 dB, the i5 can be also used for a wide variety of instrument applications including percussion, guitar cabs, and vocals.D2(two) - Rack Toms For bringing out the real, dynamic sound of toms or congas, the D2 cannot be beat. The D2 accurately reproduces the warmth and overtones of the instrument without sounded harsh or boomy. The D2, which is very natural and articulate, requires very little (if any) EQ, and because of the tight hypercardioid polar pattern, no gating is needed.D4 - Floor Tom The D4, which provides an additional octave of low end response beyond the D2, is the perfect companion for large toms and other instruments characterized with extended bass frequencies. In fact, the D4 responds down to below 40 Hz, a remarkable feat for a microphone of the this size and performance. versatility. The D4 is characterized witha flat linear response from 40 Hz - 18 kHz making it the most versatile of all the D-series microphones.SCX1-C (two) Overheads The SCX1-C, a pencil condenser requiring 48-52 Volts phantom power, is a highly sensitive microphones that will provide imagining and audio detail beyond your expectations. Characterized with a cardioid pickup pattern and a smooth uniform response over a frequency range of 40Hz-20kHz, the SCX1-C has been a secret weapon for many sound engineers who have

These high precision instrument microphones are designed to fill the specific needs of artists and engineers for both studio and live applications. Each D series microphone consists of a VLM (very low mass) capsule housed in a precision-machined lightweight aluminum body. The i-5 is the ultimate snare microphone, designed for accuracy and durability. The improved D-vice gooseneck allows for quick and easy set up and perfect mic placement. Don't compromise the sound of your drums. The DP series mic packages will reproduce the sound of your drums exactly how you want your audience to hear them.

This set of Audix DP7 Drum Microphones gives you high precision instrument mics that fill the needs of artists and engineers in both studio and live applications. Each Audix D series microphone consists of a VLM (very low mass) capsule housed in a precision-machined lightweight aluminum body. The Audix i-5 is the ultimate snare microphone, designed for accuracy and durability. The improved D-vice gooseneck allows for quick and easy set up and perfect mic placement. Thanks to Audix you don't need to compromise the sound of your drums. This DP series mic package will reproduce the sound of your drums exactly as you want your audience to hear them.DETAILS 1 x i-5 snare mic: works for snare (top or bottom), toms, hand percussion, guitar cabs, acoustic instruments. Features a protective steel grill, is easy to set up and use, with a clean accurate sound. Dynamic VLM Type B transducer (transformerless). 46 Hz 18 kHz frequency response. Cardioid polar pattern, 150 Ohm output, 1.9 mV open circuit sensitivity. No power requirements, maximum SPL of 140 dB, off-axis rejection of >23 dB. Cast Zinc Alloy housing with Black E coat. 6.5 oz/183 grams.2 x D-2 tom mic: works for rack toms, floor tom, congas. Features a slight mid-bass boost, excellent transient response, and big sound. Dynamic VLM Type B transducer (transformerless). 44 Hz 18 kHz frequency response. Hypercardioid polar pattern, 250 Ohm output, 2.5 mV open circuit sensitivity. No power requirements, maximum SPL of 144 dB, off-axis rejection of >30 dB. Machined aluminum housing with Black hard coat. 4.5 oz/128 grams.1 x D-4 kick / floor tom mic: works for floor tom, djembe. Features extended low end for larger drums, accurate frequency response, natural sound. Dynamic VLM Type D transducer (transformerless). 38 Hz 19 kHz frequency response. Hypercardioid polar pattern, 200 Ohm output, 2.1 mV open circuit sensitivity. No power requirements, maximum SPL of 144 dB, off-axis rejection of >30 dB. Machined aluminum housing with Black hard coat. 4.5 oz/128 grams.2 x ADX-51 condenser (overhead) mic: works for overheads, cymbals, hi-hat, goodie table. Features excellent performance at affordable pricing, tight pattern, accurate reproduction of high frequency instruments. Condenser transducer type (pre-polarized). 40 Hz 18 kHz frequency response. Cardioid polar pattern, 100 Ohm output, 15.9 mV open circuit sensitivity. 9 52v phantom power requirement, maximum SPL of >135 dB. Machined brass housing. 5 oz/142 grams.1 x D6 kick mic: works for kick drum, floor tom, djembe, cajon. Features extended low end for larger drums, accurate frequency response, natural sound. Dynamic VLM Type D transducer (transformerless). 30 Hz 15 kHz frequency response. Cardioid polar pattern, 200 Ohm output, 2.2 mV open circuit sensitivity. No power requirements, maximum SPL of 144 dB, off-axis rejection of >20 dB. Machined aluminum housing with Black hard coat. 7.7 oz/217 grams.Aluminum Road Case 4 x D-Vice (gooseneck clip)

These high precision instrument microphones are designed to fill the specific needs of artists and engineers for both studio and live applications. Each D series microphone consists of a VLM (very low mass) capsule housed in a precision-machined lightweight aluminum body. The i-5 is the ultimate snare microphone, designed for accuracy and durability. The improved D-vice gooseneck allows for quick and easy set up and perfect mic placement. Don't compromise the sound of your drums. The DP series mic packages will reproduce the sound of your drums exactly how you want your audience to hear them.

The B-Band DM-Pack 5 Piece Drum Microphone Set consists of 1 B-Band DM-S, 1 B-Band DM

Excellent drum mic system without the clutter!

The DP4A is an excellent selection of 4 microphones that are industry standards for professional drum and percussion applications. Equally useful for studio as well as live sound, the DP4A microphones are known for clarity, sound isolation, high SPL handling, and durability.

The Audio-Technica AE2500 kick drum mic has a dynamic element that delivers the aggressive attack of the beater while the condenser captures the round tonalities of the shell. The dual elements are positioned in a perfect phase relationship, which is practically unachievable with 2 separate microphones. Robust design provides enduring dependability on the road. The AE2500 microphone features an integral 80Hz HPF switch and a 10dB pad. Includes the Audio-Technica AT8471 isolation clamp.

A revolutionary design in kick mics. With a built-in condenser and a dynamic element, the AE2500 will capture the power and the crisp attack of your a kick drum.

The AMT M51 mic has been designed for bass drum but works equally well in other applications such as boundary layer miking (conference, stage). The M51 is a bold direction for microphones incorporating integrated circuit technology, an interchangeable chip which allows for multi-purpose use, and emulates many popular microphones with the advantages of its ultra compact size. It is capable of picking up subtle passages as well as sound pressure levels up to 141dB. Its rugged construction of anodized aviation aluminum allows it to withstand high impact while being lightweight and non-corrosive. The AMT M-51 Bass Drum Mic is terminated with an XLR connector and includes a cast aluminum pre-amp which can be powered by phantom power.

Designed for bass drum. Ultra compact size. Handles sound pressure levels up to 141db. Light-weight, rugged construction of anodized aviation aluminum. Interchangeable chip which allows for multi-purpose use. Terminated with an XLR connector. Includes a cast aluminum pre-amp. Can be powered by phantom power.

Audix AD-4 Pro Drum Microphone Pack Standard